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An artist of contemporary illusions
Born in China and based in London, Hongxi Li is an artist who works at the intersection of performance, installation, sculpture and moving image. Her rigorously conceptualized practice investigates how…
A photographic reinterpretation of Balthus’s work – between innocence and eroticism, through the lens of Hisaji Hara
In the enigmatic universe of 20th-century art, the paintings of Balthus (1908–2001) fascinated and provoked, raising questions about the boundaries between innocence and eroticism, sacred and profane. Between 2009 and…
Pussy Riot and FEMEN – joint protest action at the Venice Biennale 2026
For the first time, the Russian protest art collective Pussy Riot and the Ukrainian group FEMEN have collaborated in a joint action at the Venice Biennale, one of the…
Povești de cuplu și răni vechi: miza profundă a unei cărți de psihoterapie
Povești de cuplu și răni vechi: miza profundă a unei cărți de psihoterapie Violeta Stanciu, psihoterapeut sistemic de cuplu și familie, psiho-oncolog S-a spus deja că această carte a…
Anastasia Sierra, Second Prize in the Life Framer Edition XI Series, with “The Witching Hour”
Photographer Anastasia Sierra was awarded Second Prize in the Life Framer Edition XI Series for her deeply personal project, The Witching Hour. The series was judged by Lisa Woodward…
María María Acha-Kutscher: Architect of a Memory Recovered through Digital Collage
In the age of speed and infinite scrolling, our gaze has often become a form of superficial despotism. We pass over images without really seeing them, accepting visual clichés as…
Când teatrul devine exercițiu de luciditate: „Oscar și tanti Roz”
Când teatrul devine exercițiu de luciditate: „Oscar și tanti Roz” O recenzie de Violeta Stanciu Privește lumea în fiecare zi ca și cum ai vedea-o pentru ultima oară –…
Girls in the Windows – The Story Behind Ormond Gigli’s Iconic 1960 Photograph
In 1960, American photographer Ormond Gigli turned an ordinary New York street into one of the most memorable fashion images ever captured. Girls in the Windows portrays 43 elegantly…
Arthur Fellig (Weegee), Time Is Short, 1942
Lower East Side, Manhattan Taken months after America entered World War II, this photograph captures young men headed to war and the women who linger beside them, acutely aware of…
Cattelan’s Horses: Collateral Victims Between Postmodern Spectacle and the Tragedy of History
From the „irreverence” of anti-functional design to installations that freeze the gaze, Maurizio Cattelan remains the „terrible child” of contemporary art. His latest challenge, Kaputt, is not just an exercise…