{"id":38607,"date":"2020-07-26T18:39:07","date_gmt":"2020-07-26T16:39:07","guid":{"rendered":"https:\/\/sud-est-forum.ro\/wp\/?p=38607"},"modified":"2020-07-26T18:39:07","modified_gmt":"2020-07-26T16:39:07","slug":"covid19-in-arta-marco-mandolini-si-autoportretul-din-spatele-mastii","status":"publish","type":"post","link":"https:\/\/sud-est-forum.ro\/wp\/2020\/07\/covid19-in-arta-marco-mandolini-si-autoportretul-din-spatele-mastii\/","title":{"rendered":"Covid19 \u00een art\u0103: Marco Mandolini \u015fi autoportretul din spatele m\u0103\u015ftii"},"content":{"rendered":"

 <\/p>\n

 <\/p>\n

Motto:<\/strong><\/p>\n

Am v\u0103zut cel mai de sus cerc al puterilor supreme. I-am dat acelui cerc numele de Dumnezeu. I-am fi putut da orice alt nume am fi dorit: Abisul, \u00centunericul, Absolut, Lumina Absolut\u0103, Materia, Spiritul, Ultima Speran\u0163\u0103, Disperarea cea din Urm\u0103, T\u0103cerea.<\/strong><\/em><\/p><\/blockquote>\n

 Nikos Kazantzakis<\/strong><\/p>\n

 <\/p>\n

\"\"<\/a> \"\"<\/a><\/p>\n

Jean-Paul Sarte spunea c\u0103 esen\u0163a omului este libertatea de a alege. \u00cen destinul istoric, sunt multe momente c\u00e2nd apare imposibilitatea de a alege, \u015fi aunci, din m\u0103re\u0163ia lui, omul plonjeaz\u0103 \u00een tragism \u015fi disperare.<\/p>\n

Evenimentele din primavara lui 2020, carantinarea, epidemia mondial\u0103 s-au articulat \u015fi cultural, arti\u015ftii polariz\u00e2nd tipologii esen\u0163iale \u00een analiza luptei cu diavolul.<\/p>\n

Marco Mandolini<\/strong>, artist fotograf italian, un obi\u015fnuit al spa\u0163iilor deschise, aerisite, ale plajelor maritime, ale orizonturilor serene, a suferit \u00een mod acut angoasa confin\u0103rii.<\/p>\n

\u00cen izolarea sa, a exprimat dezolarea printr-o serie de autoportrete, iconice prin morbiditatea hamletian\u0103 care la acel moment era impregnat\u0103 de escatologic.<\/p>\n

Revolta sa \u00eempotriva lumii, scoate la iveal\u0103 tragismul subteranei, uneori ca o autoflagelare, o convingere ferm\u0103 \u00eentr-o divinitate de neacceptat.<\/p>\n

\"\"<\/a> \"\"<\/a> \"\"<\/a><\/p>\n

Sublimului vie\u0163ii, autoportretele lui Marco Mandolini<\/strong>, \u00eei opun drama lipsit\u0103 de certitudinea izb\u0103virii.<\/p>\n

Coinciden\u0163ele istorice pot avea valoare de simbol. Cel pu\u0163in \u00een ochii posterit\u0103\u0163ii, gata s\u0103 recunoasc\u0103 latura sumbr\u0103, hamletian\u0103 care ne este apropiat\u0103, dar cel mai ales, de ne\u00een\u0163eles.<\/p>\n

Marco Mandolini este un fotograf italian, care pe c\u00e2t este de talentat, pe at\u00e2t este de discret \u00een ceea ce prive\u015fte via\u0163a sa personal – ceea ce declara el c\u0103 autobiografie, poate fi prezentat \u00een nici o fraz\u0103: \u201cM-am n\u0103scut \u00een Senigallia \u00een 1948 \u0219i m-am ocupat de fotografie \u00eenc\u0103 de la mijlocul anilor 70…\u201d<\/p>\n

\"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a><\/p>\n

Marco Mandolini<\/strong>, un fotografo italiano, un regolare di spazi aperti e ariosi, spiagge di mare, orizzonti sereni, ha sofferto fortemente l’angoscia della quarantena.<\/p>\n

Nel suo isolamento, esprimeva desolazione attraverso una serie di autoritratti, iconici della morbilit\u00e0 amletica che a quel tempo era intrisa di escatologia.<\/p>\n

La sua rivolta contro il mondo rivela la tragedia degli inferi, a volte come un’auto-flagellazione, una ferma convinzione in una divinit\u00e0 inaccettabile.<\/p>\n

Il sublime della vita, gli autoritratti di Marco Mandolini, sono contrastati dal dramma privo della certezza della redenzione.<\/p>\n

Le coincidenze storiche possono avere valore simbolico. Almeno agli occhi dei posteri, pronti a riconoscere il lato oscuro di Amleto che ci \u00e8 vicino ma soprattutto incomprensibile.<\/p>\n

\"\"<\/a> \"\"<\/a><\/p>\n

\"\"<\/a> \"\"<\/a> \"\"<\/a><\/p>\n

Marco Mandolini<\/strong>, an Italian photographer, a regular of open, airy spaces, sea beaches, serene horizons, has acutely suffered the anguish of quarantine.<\/p>\n

In his isolation, he expressed desolation through a series of self-portraits, iconic through the Hamletian morbidity that at that time was imbued with eschatological.<\/p>\n

His revolt against the world reveals the tragedy of the underworld, sometimes as a self-flagellation, a firm belief in an unacceptable deity.<\/p>\n

The sublime of life, the self-portraits of Marco Mandolini, are opposed by the drama lacking the certainty of redemption.<\/p>\n

Historical coincidences can have symbolic value. At least in the eyes of posterity, ready to recognize the gloomy, Hamletian side that is close to us but most of all, incomprehensible.<\/p>\n

 <\/p>\n

\u00a9 Sud- Est Forum 2020<\/p>\n

 <\/p>\n

 <\/p>\n

<\/div>","protected":false},"excerpt":{"rendered":"

 <\/p>\n

 <\/p>\n

Motto:<\/strong><\/p>\n

Am v\u0103zut cel mai de sus cerc al puterilor supreme. I-am dat acelui cerc numele de Dumnezeu. I-am fi putut da orice alt nume am fi dorit: Abisul, \u00centunericul, Absolut, Lumina Absolut\u0103, Materia, Spiritul, Ultima Speran\u0163\u0103, Disperarea cea din Urm\u0103, T\u0103cerea.<\/strong><\/em><\/p><\/blockquote>\n

 Nikos Kazantzakis<\/strong><\/p>\n

 <\/p>\n

\"\"<\/a> \"\"<\/a><\/p>\n

Jean-Paul Sarte spunea c\u0103 esen\u0163a omului este libertatea de a alege. \u00cen destinul istoric, sunt multe momente c\u00e2nd apare imposibilitatea de a alege, \u015fi aunci, din m\u0103re\u0163ia lui, omul plonjeaz\u0103 \u00een tragism \u015fi disperare.<\/p>\n

Evenimentele din primavara lui 2020, carantinarea, epidemia mondial\u0103 s-au articulat \u015fi cultural, arti\u015ftii polariz\u00e2nd tipologii esen\u0163iale \u00een analiza luptei cu diavolul.<\/p>\n

Marco Mandolini<\/strong>, artist fotograf italian, un obi\u015fnuit al spa\u0163iilor deschise, aerisite, ale plajelor maritime, ale orizonturilor serene, a suferit \u00een mod acut angoasa confin\u0103rii.<\/p>\n

\u00cen izolarea sa, a exprimat dezolarea printr-o serie de autoportrete, iconice prin morbiditatea hamletian\u0103 care la acel moment era impregnat\u0103 de escatologic.<\/p>\n

Revolta sa \u00eempotriva lumii, scoate la iveal\u0103 tragismul subteranei, uneori ca o autoflagelare, o convingere ferm\u0103 \u00eentr-o divinitate de neacceptat.<\/p>\n

\"\"<\/a> \"\"<\/a> \"\"<\/a><\/p>\n

Sublimului vie\u0163ii, autoportretele lui Marco Mandolini<\/strong>, \u00eei opun drama lipsit\u0103 de certitudinea izb\u0103virii.<\/p>\n

Coinciden\u0163ele istorice pot avea valoare de simbol. Cel pu\u0163in \u00een ochii posterit\u0103\u0163ii, gata s\u0103 recunoasc\u0103 latura sumbr\u0103, hamletian\u0103 care ne este apropiat\u0103, dar cel mai ales, de ne\u00een\u0163eles.<\/p>\n

Marco Mandolini este un fotograf italian, care pe c\u00e2t este de talentat, pe at\u00e2t este de discret \u00een ceea ce prive\u015fte via\u0163a sa personal – ceea ce declara el c\u0103 autobiografie, poate fi prezentat \u00een nici o fraz\u0103: \u201cM-am n\u0103scut \u00een Senigallia \u00een 1948 \u0219i m-am ocupat de fotografie \u00eenc\u0103 de la mijlocul anilor 70…\u201d<\/p>\n

\"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a><\/p>\n

Marco Mandolini<\/strong>, un fotografo italiano, un regolare di spazi aperti e ariosi, spiagge di mare, orizzonti sereni, ha sofferto fortemente l’angoscia della quarantena.<\/p>\n

Nel suo isolamento, esprimeva desolazione attraverso una serie di autoritratti, iconici della morbilit\u00e0 amletica che a quel tempo era intrisa di escatologia.<\/p>\n

La sua rivolta contro il mondo rivela la tragedia degli inferi, a volte come un’auto-flagellazione, una ferma convinzione in una divinit\u00e0 inaccettabile.<\/p>\n

Il sublime della vita, gli autoritratti di Marco Mandolini, sono contrastati dal dramma privo della certezza della redenzione.<\/p>\n

Le coincidenze storiche possono avere valore simbolico. Almeno agli occhi dei posteri, pronti a riconoscere il lato oscuro di Amleto che ci \u00e8 vicino ma soprattutto incomprensibile.<\/p>\n

\"\"<\/a> \"\"<\/a><\/p>\n

\"\"<\/a> \"\"<\/a> \"\"<\/a><\/p>\n

Marco Mandolini<\/strong>, an Italian photographer, a regular of open, airy spaces, sea beaches, serene horizons, has acutely suffered the anguish of quarantine.<\/p>\n

In his isolation, he expressed desolation through a series of self-portraits, iconic through the Hamletian morbidity that at that time was imbued with eschatological.<\/p>\n

His revolt against the world reveals the tragedy of the underworld, sometimes as a self-flagellation, a firm belief in an unacceptable deity.<\/p>\n

The sublime of life, the self-portraits of Marco Mandolini, are opposed by the drama lacking the certainty of redemption.<\/p>\n

Historical coincidences can have symbolic value. At least in the eyes of posterity, ready to recognize the gloomy, Hamletian side that is close to us but most of all, incomprehensible.<\/p>\n

 <\/p>\n

\u00a9 Sud- Est Forum 2020<\/p>\n

 <\/p>\n

 <\/p>\n","protected":false},"author":23,"featured_media":38602,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"ngg_post_thumbnail":0,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[76,18209,18215],"tags":[19031,18615,19850,19848,18651,18192,362,19940,19939,18593,19942,19841,18402,19941,18147],"class_list":["post-38607","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-home","category-lumea-fotografie","category-news","tag-alb-negru","tag-black-and-white","tag-carantina","tag-covid-19","tag-drama","tag-fotografie","tag-italia","tag-lockdown","tag-marco-mandolini","tag-masca","tag-mask","tag-pandemie","tag-portret","tag-selfportrait","tag-sud-est-forum"],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9P2fo-a2H","jetpack_featured_media_url":"https:\/\/i0.wp.com\/sud-est-forum.ro\/wp\/wp-content\/uploads\/2020\/07\/Marco-Mandolini-2020-30.jpg?fit=960%2C642&ssl=1","_links":{"self":[{"href":"https:\/\/sud-est-forum.ro\/wp\/wp-json\/wp\/v2\/posts\/38607","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sud-est-forum.ro\/wp\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sud-est-forum.ro\/wp\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sud-est-forum.ro\/wp\/wp-json\/wp\/v2\/users\/23"}],"replies":[{"embeddable":true,"href":"https:\/\/sud-est-forum.ro\/wp\/wp-json\/wp\/v2\/comments?post=38607"}],"version-history":[{"count":1,"href":"https:\/\/sud-est-forum.ro\/wp\/wp-json\/wp\/v2\/posts\/38607\/revisions"}],"predecessor-version":[{"id":38608,"href":"https:\/\/sud-est-forum.ro\/wp\/wp-json\/wp\/v2\/posts\/38607\/revisions\/38608"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sud-est-forum.ro\/wp\/wp-json\/wp\/v2\/media\/38602"}],"wp:attachment":[{"href":"https:\/\/sud-est-forum.ro\/wp\/wp-json\/wp\/v2\/media?parent=38607"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sud-est-forum.ro\/wp\/wp-json\/wp\/v2\/categories?post=38607"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sud-est-forum.ro\/wp\/wp-json\/wp\/v2\/tags?post=38607"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}