{"id":38188,"date":"2020-04-26T16:18:11","date_gmt":"2020-04-26T14:18:11","guid":{"rendered":"https:\/\/sud-est-forum.ro\/wp\/?p=38188"},"modified":"2020-04-26T16:19:59","modified_gmt":"2020-04-26T14:19:59","slug":"covid19-arta-intra-%c8%8bn-carantina-dar-nu-se-preda","status":"publish","type":"post","link":"https:\/\/sud-est-forum.ro\/wp\/2020\/04\/covid19-arta-intra-%c8%8bn-carantina-dar-nu-se-preda\/","title":{"rendered":"Covid19. Arta intr\u00e3 \u020bn carantin\u00e3 dar nu se pred\u00e3!"},"content":{"rendered":"

 <\/p>\n

Motto: <\/strong><\/p>\n

muzeul (imaginar) este locul singurei lumi care scap\u0103 de moarte.<\/strong><\/em><\/p><\/blockquote>\n

Andre Malraux<\/strong><\/p>\n

\"\"<\/a><\/p>\n

Pandemia Covid19. A intrat cu bocancii \u020bn via\u0163a noastr\u00e3, a schimbat destine, a f\u00e3cut s\u00e3 tremure \u015fi s\u00e3 sufere miliarde de oameni. Anul 2020 a fost comparat cu perioada unui al treilea r\u00e3zboi mondial.<\/p>\n

Este evident ca arta de pretutindeni sufere \u015fi ea. Muzeele stau \u020bnchise, expozi\u0163iile \u015fi concertele se am\u00e2n\u00e3, arti\u015ftii \u015fi-au pus masca pe fa\u0163\u00e3 \u015fi pun lac\u00e3t la atelier….dar nu trebuie s\u00e3 \u020b\u015fi pun\u00e3 lac\u00e3t la mintea lor.<\/p>\n

Sensibilitatea \u015fi puterea de a distila realitatea \u020bn simboluri pot crea fresca vie\u0163ii, evenimentelor, emo\u0163iilor \u015fi suferin\u0163ei din perioada carantinei.<\/p>\n

\"\"<\/a> \"\"<\/a> \"\"<\/a><\/p>\n

\u00cen artele vizuale s-a deschis marele muzeu virtual, mo\u015ftenind vr\u00e2nd-nevr\u00e2nd ideea de Muzeu imaginar drag\u00e3 lui Andre Malraux, care visa la ceea ce am numi acum Muzeul global. Un strig\u00e3t contra eshatologicului !<\/p>\n

Din cele mai vechi timpuri percep\u0163ia artistic\u00e3 a realit\u00e3\u0163ii, a avut mai mult dec\u00e2t valoare estetic\u00e3 dar \u015fi de cronic\u00e3, adun\u00e2nd \u020bn memoria con\u015ftient\u00e3 \u015fi subcon\u015ftient\u00e3 fapte pe care poate izvoarle istorice, arhivele \u015fi analele nu le-au putut cuprinde. Simbolistica criptat\u00e3 \u020bn opera de art\u00e3 explic\u00e3 mai durabil esen\u0163ialul omului. Realismul \u015ftiin\u0163ei, devenit disciplin\u00e3 pus s\u00e3 slujeasc\u00e3 cultura, se poate pr\u00e3bu\u015fi.<\/p>\n

Abordarea artistic\u00e3 s-a n\u00e3scut din dorin\u0163a de a ap\u00e3ra o stare sensibil\u00e3, men\u0163in\u00e2nd la dispozi\u0163ia privirii spectacolul care o alimenta. \u015ei iat\u00e3, vorba filosofului, cum apare o \u201cperseverare \u020bn fiin\u0163\u00e3\u201d.<\/p>\n

\"\"<\/a><\/p>\n

Andrew Solomon, referindu-se la depresie spunea: (depresivii) folosesc mereu expresia \u201cdincolo de margine\u201d pentru a trasa trecerea de durere la nebunie. Tocmai asta fac arti\u015ftii, absorb\u00e2nd durerea lumii \u015fi p\u00e3zind grani\u0163ele spre nebunie.<\/p>\n

\"\"<\/a><\/p>\n

\u00cen acest album (primul dintr-o serie) am adunat lucr\u00e3ri originale inspirate din carantin\u00e3, anxietate, izolare, din starea mental\u00e3 uneori a neputin\u0163ei \u015fi izol\u00e3rii….<\/p>\n

\"\"<\/a><\/p>\n

\u00cen b\u00e3talia de la Waterloo, comandantului Vechii G\u0103rzi, Pierre Cambronne, a strigat: „Vechea Gard\u0103 moare, dar nu se pred\u0103!”….dupa alte surse istorice ar fi spus :\u201dMerde !\u201d<\/p>\n

 <\/p>\n

*************************************<\/p>\n

 <\/p>\n

Covid19. Art in lockdown do not surrender!<\/h3>\n

 <\/p>\n

Motto: <\/strong><\/p>\n

the (imaginary) museum is the place of the only world that escapes death.<\/em><\/p><\/blockquote>\n

Andre Malraux<\/strong><\/p>\n

\"\"<\/a><\/p>\n

Covid pandemic19. He entered our lives with his boots on, changed destinies, made billions of people tremble and suffer. The year 2020 has been compared to the period of a third world war.<\/p>\n

It is obvious that art everywhere suffers as well. Museums are closed, exhibitions and concerts are postponed, artists put their masks on their faces and put a lock on the workshop … but they don’t have to put a lock on their mind. Sensitivity and the power to distill reality into symbols can create a fresco of life, events, emotions and suffering in the quarantine period.<\/p>\n

In the visual arts, the great virtual museum opened, inheriting the idea of \u200b\u200ban imaginary museum dear to Andre Malraux, who dreamed of what we would now call the Global Museum. A cry against the eschatological!<\/p>\n

From ancient times the artistic perception of reality has had more than aesthetic value but also chronicle, gathering in conscious and subconscious memory facts that can be historical sources, archives and annals could not contain. The symbolism encrypted in the work of art more sustainable explains the essence of man. The realism of science, which has become a discipline set to serve culture, can collapse.<\/p>\n

\"\"<\/a><\/p>\n

The artistic approach was born from the desire to defend a sensitive host, keeping the spectacle at its disposal that feeds it. And here is what the philosopher says about a „perseverance in being.” Andrew Solomon, referring to depression, said: (depressives) always use the expression „beyond the edge” to trace the transition from pain to madness. This is exactly what artists do, absorbing the pain of the world and guarding the borders to madness.<\/p>\n

\"\"<\/a><\/p>\n

In this album (the first in a series) we have collected original works inspired by quarantine, anxiety, isolation, the mental state of sometimes helplessness and isolation ….<\/p>\n

In the battle of Waterloo, the commander of the Old Guard, Pierre Cambronne, shouted: „The Old Guard dies, but he does not surrender!” …. according to other historical sources he would have said: „Shit!”<\/p>\n

 <\/p>\n

 <\/p>\n

Photos and digital art by Cornel Ging\u00e3ra\u015fu<\/p>\n

\u00a9Sud Est Forum 2020<\/p>\n

<\/div>","protected":false},"excerpt":{"rendered":"

 <\/p>\n

Motto: <\/strong><\/p>\n

muzeul (imaginar) este locul singurei lumi care scap\u0103 de moarte.<\/strong><\/em><\/p><\/blockquote>\n

Andre Malraux<\/strong><\/p>\n

\"\"<\/a><\/p>\n

Pandemia Covid19. A intrat cu bocancii \u020bn via\u0163a noastr\u00e3, a schimbat destine, a f\u00e3cut s\u00e3 tremure \u015fi s\u00e3 sufere miliarde de oameni. Anul 2020 a fost comparat cu perioada unui al treilea r\u00e3zboi mondial.<\/p>\n

Este evident ca arta de pretutindeni sufere \u015fi ea. Muzeele stau \u020bnchise, expozi\u0163iile \u015fi concertele se am\u00e2n\u00e3, arti\u015ftii \u015fi-au pus masca pe fa\u0163\u00e3 \u015fi pun lac\u00e3t la atelier….dar nu trebuie s\u00e3 \u020b\u015fi pun\u00e3 lac\u00e3t la mintea lor.<\/p>\n

Sensibilitatea \u015fi puterea de a distila realitatea \u020bn simboluri pot crea fresca vie\u0163ii, evenimentelor, emo\u0163iilor \u015fi suferin\u0163ei din perioada carantinei.<\/p>\n

\"\"<\/a> \"\"<\/a> \"\"<\/a><\/p>\n

\u00cen artele vizuale s-a deschis marele muzeu virtual, mo\u015ftenind vr\u00e2nd-nevr\u00e2nd ideea de Muzeu imaginar drag\u00e3 lui Andre Malraux, care visa la ceea ce am numi acum Muzeul global. Un strig\u00e3t contra eshatologicului !<\/p>\n

Din cele mai vechi timpuri percep\u0163ia artistic\u00e3 a realit\u00e3\u0163ii, a avut mai mult dec\u00e2t valoare estetic\u00e3 dar \u015fi de cronic\u00e3, adun\u00e2nd \u020bn memoria con\u015ftient\u00e3 \u015fi subcon\u015ftient\u00e3 fapte pe care poate izvoarle istorice, arhivele \u015fi analele nu le-au putut cuprinde. Simbolistica criptat\u00e3 \u020bn opera de art\u00e3 explic\u00e3 mai durabil esen\u0163ialul omului. Realismul \u015ftiin\u0163ei, devenit disciplin\u00e3 pus s\u00e3 slujeasc\u00e3 cultura, se poate pr\u00e3bu\u015fi.<\/p>\n

Abordarea artistic\u00e3 s-a n\u00e3scut din dorin\u0163a de a ap\u00e3ra o stare sensibil\u00e3, men\u0163in\u00e2nd la dispozi\u0163ia privirii spectacolul care o alimenta. \u015ei iat\u00e3, vorba filosofului, cum apare o \u201cperseverare \u020bn fiin\u0163\u00e3\u201d.<\/p>\n

\"\"<\/a><\/p>\n

Andrew Solomon, referindu-se la depresie spunea: (depresivii) folosesc mereu expresia \u201cdincolo de margine\u201d pentru a trasa trecerea de durere la nebunie. Tocmai asta fac arti\u015ftii, absorb\u00e2nd durerea lumii \u015fi p\u00e3zind grani\u0163ele spre nebunie.<\/p>\n

\"\"<\/a><\/p>\n

\u00cen acest album (primul dintr-o serie) am adunat lucr\u00e3ri originale inspirate din carantin\u00e3, anxietate, izolare, din starea mental\u00e3 uneori a neputin\u0163ei \u015fi izol\u00e3rii….<\/p>\n

\"\"<\/a><\/p>\n

\u00cen b\u00e3talia de la Waterloo, comandantului Vechii G\u0103rzi, Pierre Cambronne, a strigat: „Vechea Gard\u0103 moare, dar nu se pred\u0103!”….dupa alte surse istorice ar fi spus :\u201dMerde !\u201d<\/p>\n

 <\/p>\n

*************************************<\/p>\n

 <\/p>\n

Covid19. Art in lockdown do not surrender!<\/h3>\n

 <\/p>\n

Motto: <\/strong><\/p>\n

the (imaginary) museum is the place of the only world that escapes death.<\/em><\/p><\/blockquote>\n

Andre Malraux<\/strong><\/p>\n

\"\"<\/a><\/p>\n

Covid pandemic19. He entered our lives with his boots on, changed destinies, made billions of people tremble and suffer. The year 2020 has been compared to the period of a third world war.<\/p>\n

It is obvious that art everywhere suffers as well. Museums are closed, exhibitions and concerts are postponed, artists put their masks on their faces and put a lock on the workshop … but they don’t have to put a lock on their mind. Sensitivity and the power to distill reality into symbols can create a fresco of life, events, emotions and suffering in the quarantine period.<\/p>\n

In the visual arts, the great virtual museum opened, inheriting the idea of \u200b\u200ban imaginary museum dear to Andre Malraux, who dreamed of what we would now call the Global Museum. A cry against the eschatological!<\/p>\n

From ancient times the artistic perception of reality has had more than aesthetic value but also chronicle, gathering in conscious and subconscious memory facts that can be historical sources, archives and annals could not contain. The symbolism encrypted in the work of art more sustainable explains the essence of man. The realism of science, which has become a discipline set to serve culture, can collapse.<\/p>\n

\"\"<\/a><\/p>\n

The artistic approach was born from the desire to defend a sensitive host, keeping the spectacle at its disposal that feeds it. And here is what the philosopher says about a „perseverance in being.” Andrew Solomon, referring to depression, said: (depressives) always use the expression „beyond the edge” to trace the transition from pain to madness. This is exactly what artists do, absorbing the pain of the world and guarding the borders to madness.<\/p>\n

\"\"<\/a><\/p>\n

In this album (the first in a series) we have collected original works inspired by quarantine, anxiety, isolation, the mental state of sometimes helplessness and isolation ….<\/p>\n

In the battle of Waterloo, the commander of the Old Guard, Pierre Cambronne, shouted: „The Old Guard dies, but he does not surrender!” …. according to other historical sources he would have said: „Shit!”<\/p>\n

 <\/p>\n

 <\/p>\n

Photos and digital art by Cornel Ging\u00e3ra\u015fu<\/p>\n

\u00a9Sud Est Forum 2020<\/p>\n","protected":false},"author":23,"featured_media":38186,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"ngg_post_thumbnail":0,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[18210,18201,76,18215],"tags":[18174,19850,402,19848,9528,19405,18192,19187,19849,19737,19847,19846,106,18147],"class_list":["post-38188","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arte-vizuale","category-eveniment","category-home","category-news","tag-arta","tag-carantina","tag-cornel-gingarasu","tag-covid-19","tag-depresie","tag-digital-art","tag-fotografie","tag-lucrari","tag-museu","tag-original","tag-pandemic","tag-photos","tag-romania","tag-sud-est-forum"],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9P2fo-9VW","jetpack_featured_media_url":"https:\/\/i0.wp.com\/sud-est-forum.ro\/wp\/wp-content\/uploads\/2020\/04\/carantina-5-coperta.jpg?fit=1000%2C562&ssl=1","_links":{"self":[{"href":"https:\/\/sud-est-forum.ro\/wp\/wp-json\/wp\/v2\/posts\/38188","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sud-est-forum.ro\/wp\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sud-est-forum.ro\/wp\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sud-est-forum.ro\/wp\/wp-json\/wp\/v2\/users\/23"}],"replies":[{"embeddable":true,"href":"https:\/\/sud-est-forum.ro\/wp\/wp-json\/wp\/v2\/comments?post=38188"}],"version-history":[{"count":2,"href":"https:\/\/sud-est-forum.ro\/wp\/wp-json\/wp\/v2\/posts\/38188\/revisions"}],"predecessor-version":[{"id":38190,"href":"https:\/\/sud-est-forum.ro\/wp\/wp-json\/wp\/v2\/posts\/38188\/revisions\/38190"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sud-est-forum.ro\/wp\/wp-json\/wp\/v2\/media\/38186"}],"wp:attachment":[{"href":"https:\/\/sud-est-forum.ro\/wp\/wp-json\/wp\/v2\/media?parent=38188"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sud-est-forum.ro\/wp\/wp-json\/wp\/v2\/categories?post=38188"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sud-est-forum.ro\/wp\/wp-json\/wp\/v2\/tags?post=38188"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}