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<\/a><\/p>\nEste cam greu s\u00e3-i \u020bncadrezi arta lui \u015etefan Daniel L\u00e3z\u00e3rescu<\/strong> (vechea boal\u00e3 a criticului) \u020bntr-un curent sau tipar. A\u015fa cum este greu s\u00e3-l \u020bncadrezi pe el ca om, \u020bntr-un tipar facil, personalitate contradictorie grea-u\u015foar\u00e3, grav\u00e3 dar cu mult umor.<\/p>\n Nu este un extrovertit dar nici foarte \u020bnchis \u020bn el. O figur\u00e3 senin\u00e3, cu ve\u015fnica sa \u015fapc\u00e3 tip \u201cFidel Castro\u201d, senin\u00e3tate \u020bn ochi, dar \u020bn acela\u015fi timp aten\u0163ie la ce se \u020bnt\u00e2mpl\u00e3 \u020bn lume; c\u00e3ci lumea \u020bntreag\u00e3 este lumea sa, pe care o sintetizeaz\u00e3 \u015fi o amalgameaz\u00e3 prin linii complexe, volume \u015fi grafic\u00e3, un mesaj ca un ADN ce define\u015fte st\u00e3rile nelineare post-moderniste.<\/p>\n \u015etefan trece u\u015for de la minimalim la un baroc prolix \u015fi halucinant-tandru, merg\u00e2nd pe o cale a vis\u00e3rii lucide \u015fi ludice. A lui este analiza subconstientului domestic, contemporan, al omului de l\u00e2ng\u00e3 el, vecinul care \u020bi cere o \u0163igar\u00e3, iubirea celor de la etajul 1, plecarea spre vacan\u0163\u00e3 sau diminea\u0163a duminical\u00e3 a primei cafele.<\/p>\n Lucr\u00e3rile spa\u0163iale ale lui \u015etefan Daniel L\u00e3z\u00e3rescu<\/strong> apar ca o combina\u0163ie grafic\u00e3-sculptura-instala\u0163ie, contrazic\u00e2nd conceptul emis de Rosalind Kraus despre absen\u0163a ontologic\u00e3 \u015fi suma excluderilor proprii c\u00e2mpului extins al sculpturii contemporane .<\/p>\n Privind complexitatea compozi\u0163ional\u00e3 \u015fi dinamica liniei, m-am g\u00e2ndit la Basquiat, la nervul s\u00e3u dar e clar c\u00e3 pretextul este altul la \u015etefan, \u020bntr-o lume a iubirii \u015fi z\u00e2mbetului, nu rebeliunii artistului american. R\u00e3m\u00e2n comune densitatea \u015fi intensitatea, oarecum, tehnica stil \u201cart brut\u201d, ca s\u00e3 vin\u00e3 incisiv spre constien\u0163a privitorului.<\/p>\n Vr\u00e3jitorul modern continu\u00e3 s\u00e3 cread\u00e3 (sau s\u00e3 se fac\u00e3) c\u00e3, ac\u0163ion\u00e2nd asupra p\u00e3rului \u015fi buc\u00e3\u0163elelor de unghii ale unei persoane, ac\u0163ioneaz\u00e3 prin solidaritate chiar asupra ei. Aparen\u0163a, \u015fi ea, este parte dintr-o fiin\u0163\u00e3; deci o angajeaz\u00e3.<\/p>\n Lucrarea lui nu se explic\u00e3, se m\u00e3rgine\u015fte s\u00e3 fie \u015fi s\u00e3 arate ce este; nou\u00e3 ne revine s-o sim\u0163im datorit\u00e3 virtu\u0163ilor sale de contagiune. Potrivit lui Paul Valery, propria substan\u0163\u00e3 se transform\u00e3 \u020bntr-un obiect ce \u201cpoate atrage aten\u0163ia altora\u201d.<\/p>\n Maurice Barres a spus c\u00e3 nu ne intereseaz\u00e3 cu adev\u00e3rat dec\u00e2t ceea ce \u020bntr-un fel sau altul e legat e destinul nostru….ecoul artei lui \u015etefan L\u00e3z\u00e3rescu este \u201cnoi\u201d \u015fi \u020bn noi, este calea eviden\u0163elor senzoriale \u015fi nu separ\u00e3 (cum spunea Plotin) forma de materie.<\/p>\n Date biografice<\/strong><\/p>\n \u015etefan Daniel L\u00e3z\u00e3rescu<\/strong> (n\u00e3scut \u020bn 06.10.1969), buzoian, artist vizual, cu studii la Universitatea de Arte Frumoase Timi\u015fora.<\/p>\n \u015etefan este \u015fi curator, conceptul s\u00e3u se nume\u015fte \u201eARTA PRINTRE BLOCURI\u201d<\/strong><\/em>, \u015fi este deschis tuturor formelor de exprimare \u0219i experien\u021belor artistice.<\/p>\n El ne declar\u00e3:<\/p>\n Prin organizarea acestui eveniment ne propunem s\u0103 atragem publicul c\u0103tre programele expozi\u021bionale, stimularea interesului pentru zona artelor plastice, cre\u0219terea gradului de acces la sensul \u0219i mesajul lucr\u0103rilor de art\u0103 contemporan\u0103 \u0219i de convingere a colec\u021bionarilor c\u0103tre achizi\u021bia lucr\u0103rilor de art\u0103 contemporan\u0103.<\/p><\/blockquote>\n Particip\u00e3ri interna\u0163ionale \u015fi premii<\/strong><\/p>\n 2008: Direction Award for Culture, Cults and National Cultural Heritage Bucharest, Art Biennial „Ion Andreescu”<\/p>\n 2001-2002: Governmental scholarship „Prince Monyo Mihailescu Herescu” USA, Florida, Palm Beach<\/p>\n 1999: stock performance West University, Faculty of Fine Arts<\/p>\n 1998: Sculpture Festival, Hunedoara<\/p>\n <\/p>\n *********************<\/p>\n <\/p>\n It is a bit difficult to frame the art of \u015etefan Daniel L\u00e3z\u00e3rescu (the old illness of the critic) in a current or pattern. As it is difficult to know him as a man and also in an easy artistic pattern.<\/p>\n He is not an extrovert, but not a very close person. A serene figure, with the eternal „Fidel Castro” type hat, serenity in the eyes but at the same time attention to what is happening in the world; Because the whole world is his world, which he synthesizes through several lines…. or more lines and forms.<\/p>\n \u015etefan goes from minimal to a baroque prolix and hallucinatory-tender, walking on a path of lucid and playful dreams. His is the analysis of the domestic, contemporary subconscious, of the man next to him, the neighbor who asks for a cigarette, the love of the first floor, the departure for vacation or the Sunday morning of the first coffee.<\/p>\n \u015etefan Daniel L\u00e3z\u00e3rescu’s spatial works appear as a graphic-sculpture-installation combination, contradicting the concept emitted by Rosalind Kraus about the ontological absence and the sum of the exclusions … the path is the reverse.<\/p>\n Looking at the compositional complexity and dynamics of the line, I thought about Basquiat, his nerve but it is clear that the pretext is another one for Stefan, in a world of love and smile, not the rebellion of the American artist. There remains the density and intensity, somewhat, the technique „art brut”, to come incisively to the consciousness of the viewer.<\/p>\n The modern wizard continues to believe (or make himself secret) that, by acting on a person’s hair and nails, they act in solidarity on themselves. Appearance, too, is part of a being; so he hires her.<\/p>\n His works are not explained: he is bound to be and to show what he is; we feel it again because of its contagion virtues. According to Paul Valery, his own substance is transformed into an object that „can attract the attention of others”.<\/p>\n <\/p>\n \u00a9 Sud-Est Forum 2020<\/p>\n <\/p>\n <\/p>\n Este cam greu s\u00e3-i \u020bncadrezi arta lui \u015etefan Daniel L\u00e3z\u00e3rescu<\/strong> (vechea boal\u00e3 a criticului) \u020bntr-un curent sau tipar. A\u015fa cum este greu s\u00e3-l \u020bncadrezi pe el ca om, \u020bntr-un tipar facil, personalitate contradictorie grea-u\u015foar\u00e3, grav\u00e3 dar cu mult umor.<\/p>\n Nu este un extrovertit dar nici foarte \u020bnchis \u020bn el. O figur\u00e3 senin\u00e3, cu ve\u015fnica sa \u015fapc\u00e3 tip \u201cFidel Castro\u201d, senin\u00e3tate \u020bn ochi, dar \u020bn acela\u015fi timp aten\u0163ie la ce se \u020bnt\u00e2mpl\u00e3 \u020bn lume; c\u00e3ci lumea \u020bntreag\u00e3 este lumea sa, pe care o sintetizeaz\u00e3 \u015fi o amalgameaz\u00e3 prin linii complexe, volume \u015fi grafic\u00e3, un mesaj ca un ADN ce define\u015fte st\u00e3rile nelineare post-moderniste.<\/p>\n \u015etefan trece u\u015for de la minimalim la un baroc prolix \u015fi halucinant-tandru, merg\u00e2nd pe o cale a vis\u00e3rii lucide \u015fi ludice. A lui este analiza subconstientului domestic, contemporan, al omului de l\u00e2ng\u00e3 el, vecinul care \u020bi cere o \u0163igar\u00e3, iubirea celor de la etajul 1, plecarea spre vacan\u0163\u00e3 sau diminea\u0163a duminical\u00e3 a primei cafele.<\/p>\n Lucr\u00e3rile spa\u0163iale ale lui \u015etefan Daniel L\u00e3z\u00e3rescu<\/strong> apar ca o combina\u0163ie grafic\u00e3-sculptura-instala\u0163ie, contrazic\u00e2nd conceptul emis de Rosalind Kraus despre absen\u0163a ontologic\u00e3 \u015fi suma excluderilor proprii c\u00e2mpului extins al sculpturii contemporane .<\/p>\n Privind complexitatea compozi\u0163ional\u00e3 \u015fi dinamica liniei, m-am g\u00e2ndit la Basquiat, la nervul s\u00e3u dar e clar c\u00e3 pretextul este altul la \u015etefan, \u020bntr-o lume a iubirii \u015fi z\u00e2mbetului, nu rebeliunii artistului american. R\u00e3m\u00e2n comune densitatea \u015fi intensitatea, oarecum, tehnica stil \u201cart brut\u201d, ca s\u00e3 vin\u00e3 incisiv spre constien\u0163a privitorului.<\/p>\n Vr\u00e3jitorul modern continu\u00e3 s\u00e3 cread\u00e3 (sau s\u00e3 se fac\u00e3) c\u00e3, ac\u0163ion\u00e2nd asupra p\u00e3rului \u015fi buc\u00e3\u0163elelor de unghii ale unei persoane, ac\u0163ioneaz\u00e3 prin solidaritate chiar asupra ei. Aparen\u0163a, \u015fi ea, este parte dintr-o fiin\u0163\u00e3; deci o angajeaz\u00e3.<\/p>\n Lucrarea lui nu se explic\u00e3, se m\u00e3rgine\u015fte s\u00e3 fie \u015fi s\u00e3 arate ce este; nou\u00e3 ne revine s-o sim\u0163im datorit\u00e3 virtu\u0163ilor sale de contagiune. Potrivit lui Paul Valery, propria substan\u0163\u00e3 se transform\u00e3 \u020bntr-un obiect ce \u201cpoate atrage aten\u0163ia altora\u201d.<\/p>\n Maurice Barres a spus c\u00e3 nu ne intereseaz\u00e3 cu adev\u00e3rat dec\u00e2t ceea ce \u020bntr-un fel sau altul e legat e destinul nostru….ecoul artei lui \u015etefan L\u00e3z\u00e3rescu este \u201cnoi\u201d \u015fi \u020bn noi, este calea eviden\u0163elor senzoriale \u015fi nu separ\u00e3 (cum spunea Plotin) forma de materie.<\/p>\n Date biografice<\/strong><\/p>\n \u015etefan Daniel L\u00e3z\u00e3rescu<\/strong> (n\u00e3scut \u020bn 06.10.1969), buzoian, artist vizual, cu studii la Universitatea de Arte Frumoase Timi\u015fora.<\/p>\n \u015etefan este \u015fi curator, conceptul s\u00e3u se nume\u015fte \u201eARTA PRINTRE BLOCURI\u201d<\/strong><\/em>, \u015fi este deschis tuturor formelor de exprimare \u0219i experien\u021belor artistice.<\/p>\n El ne declar\u00e3:<\/p>\n Prin organizarea acestui eveniment ne propunem s\u0103 atragem publicul c\u0103tre programele expozi\u021bionale, stimularea interesului pentru zona artelor plastice, cre\u0219terea gradului de acces la sensul \u0219i mesajul lucr\u0103rilor de art\u0103 contemporan\u0103 \u0219i de convingere a colec\u021bionarilor c\u0103tre achizi\u021bia lucr\u0103rilor de art\u0103 contemporan\u0103.<\/p><\/blockquote>\n Particip\u00e3ri interna\u0163ionale \u015fi premii<\/strong><\/p>\n 2008: Direction Award for Culture, Cults and National Cultural Heritage Bucharest, Art Biennial „Ion Andreescu”<\/p>\n 2001-2002: Governmental scholarship „Prince Monyo Mihailescu Herescu” USA, Florida, Palm Beach<\/p>\n 1999: stock performance West University, Faculty of Fine Arts<\/p>\n 1998: Sculpture Festival, Hunedoara<\/p>\n <\/p>\n *********************<\/p>\n <\/p>\n<\/a><\/p>\n<\/a> <\/a> <\/a><\/p>\n<\/a><\/p>\n<\/a><\/p>\n<\/a><\/p>\n <\/h4>\n
\u015etefan Daniel L\u00e3z\u00e3rescu , a post-modernist with tender dreams<\/h4>\n
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